Name Sans Collection
AT Name Sans Variable
Hairline ExtraThin Thin ExtraLight Light Regular Medium SemiBold Bold ExtraBold Black Ultra Hairline Italic ExtraThin Italic Thin Italic ExtraLight Italic Light Italic Regular Italic Medium Italic SemiBold Italic Bold Italic ExtraBold Italic Black Italic Ultra ItalicAT Name Sans Display
Hairline Hairline Italic ExtraThin ExtraThin Italic Thin Thin Italic ExtraLight ExtraLight Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Black Black Italic Ultra Ultra ItalicAT Name Sans Standard
Hairline Hairline Italic ExtraThin ExtraThin Italic Thin Thin Italic ExtraLight ExtraLight Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Black Black Italic Ultra Ultra ItalicAT Name Sans Text
Hairline Hairline Italic ExtraThin ExtraThin Italic Thin Thin Italic ExtraLight ExtraLight Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Black Black Italic Ultra Ultra ItalicAT Name Sans Variable (Split)
Hairline ExtraThin Thin ExtraLight Light Regular Medium SemiBold Bold ExtraBold Black Ultra Hairline Italic ExtraThin Italic Thin Italic ExtraLight Italic Light Italic Regular Italic Medium Italic SemiBold Italic Bold Italic ExtraBold Italic Black Italic Ultra ItalicName Sans is a modern interpretation of the tile mosaic name tablets of the New York City subway. The architects and craftworkers who designed and laid these tiles used a letter construction that was part geometric and part grotesque, with typographic optical corrections often either exaggerated or totally missing. Name Sans interprets these ideas into an extensive type system that is at once anonymous and full of personality, useful for everything from branding to wayfinding to digital interfaces.
The project began as a series of sketches in notebooks, drawn during daily commutes in New York, and was subsequently formalized into a typeface over about four years. The original mosaic letterforms vary from station to station, but this project harmonizes the sometimes divergent ideas into a useful, extensive type system.
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### Stylistic Range
Optical Size: 12pt–72pt(+)\
Weight: 1–1000\
Upright–Italic
### Basic Info
For Branding, UI, Wayfinding, & More\
Fonts: 1 Variable / 72 Static\
Version 1.0
### Language Support
Extended Latin character set, supporting 300+ languages across Europe, the Americas and Vietnam